It is odd that a film shot in Germany by a Polish director should be considered a piece of cult British Cinema. Yet, this bizarre, dreamy and stylish creation is something of a national gem.
A darkly comic, visceral tale, the story follows fifteen year old bathhouse worker Mike (John Moulder Brown), and the obsession he develops for his older colleague, Susan (Jane Asher). A figure of modernity and sexual freedom, Susan becomes an object of desire for the young boy. As he tries to take on responsibility with his job, his fixation with Susan inevitably takes over.
Only recently restored by the BFI, the 1970 coming of age drama is something of a delicious oddity. Somewhere between kitchen sink drama and French New wave, it’s stylish and abstract. And the fact that it is so hard to place is its charm. A German/US co-production shot largely in Munich and written by a man with minimal English language skills, it is a film of no discernible national identity. the outcome then, is genuinely strange. Although it may be set in London, it doesn’t feel like London. It’s also immensely funny, but not in a traditional British way. There’s no such thing as a punchline. The humour comes from bold, outlandish moments that are punctuated by heavy sadness. Diana Dors’ cameo as a sexually frustrated customer is hilarious until her depression and loneliness is made clear. Skolimowski seems unwilling to label any particular moment as funny or sad. The unpredictability and strangeness of it all is tremendously fascinating.
Deep End‘s visual nature is also something to be marveled at. For a film about a crumbling swimming pool in London, the sense of colour and vibrancy is stunning. Susan, with her flowing yellow jacket bursts through the grey, and the vivid blue of the swimming pool really breathes life into the story. Although this is a film about bland, normal, working class Britain, the colour and sheer elegance of the piece suggests otherwise.
An odd film at heart, Deep End is a curious but enjoyable drama about adulthood, first love and sexuality. Full of flair, it’s a strange, rock and roll piece of European cinema.